Impressionist
Commisioner / Client
FABRICA, Treviso (IT)
Year
2017
2017
Commisioner / Client
FABRICA, Treviso (IT)
A canvas painted in the color of green which could also be referred to as ‘Pantone color of the year’ (2017), ‘a green screen’, or ‘a container for anything’. Rather than an artistic style of painting, in today’s context, impression refers to a measurement by which audience is quantified for its engagement to a digital content.
Equipped with a face-detecting camera, the painting adopts this emerging definition for ‘impression’ to assign it’s own value. Accordingly, the artwork speculates; What cultural values remain and what new behaviours emerge at the horizon of digital impressionism itself.
Originally created at FABRICA Research Centre, 2017 for ‘I See Colors Everywhere’ exhibition, Triennale Design Museum.
Equipped with a face-detecting camera, the painting adopts this emerging definition for ‘impression’ to assign it’s own value. Accordingly, the artwork speculates; What cultural values remain and what new behaviours emerge at the horizon of digital impressionism itself.
Originally created at FABRICA Research Centre, 2017 for ‘I See Colors Everywhere’ exhibition, Triennale Design Museum.
Credits
Lukas Valiuga (Co-Author)
Exhibitions
Arte Laguna Prize (13th) – Arsenale of Venice, Venice (IT), 2019
Athens Digital Art Fetival (14th) | Singularity Now – Megaron Athens Concert Hall, Athens (GR), 2018
I See Colors Everywhere – Triennale, Milan (IT), 2017
Lukas Valiuga (Co-Author)
Exhibitions
Arte Laguna Prize (13th) – Arsenale of Venice, Venice (IT), 2019
Athens Digital Art Fetival (14th) | Singularity Now – Megaron Athens Concert Hall, Athens (GR), 2018
I See Colors Everywhere – Triennale, Milan (IT), 2017
©MMXXI